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Oh boy, here we go; The Mummy’s Ghost and The Mummy’s Curse were quite a slog to get through and serve as a return of sorts to the classic mummy formula that started the whole ⤇
The year is 1977. The first woman ever is ordained as a priest. Apple Computer becomes incorporated. And the Coneheads debut on Saturday Night Live. Now I know what you are all wondering. Could anything ⤇
As we continue with our weekly reviews of the classic Universal Mummy films leading up to the release of The Mummy on June 9th, we’re taking a look at The Mummy’s Tomb from 1942. As far as ⤇
The year is 2013. The NHL lockout ended after one hundred and thirteen days. Calcium deposits are discovered on Mars. And Argo wins best movie of the year. Then, as a possible contender for the ⤇
Most folks, when they hear of the Mummy movies, automatically default to either the classic Boris Karloff version or the Brendan Fraser ones which came out 19 years ago (how’s that for a reminder of ⤇
I was very excited to watch The Void. I closely followed the Kickstarter campaign, eagerly gobbling up each new trailer writer/director duo Steven Kostanski and Jeremy Gillespie released. Cults? Gore? Tantalizing, ‘80s–style, fully analog, bloody, ⤇
When someone asks me — casually, not looking for an in–depth analysis — how I feel about a film, I try to keep my answer pretty simple. “It was good, and I enjoyed it.” Or ⤇
In a world that is oversaturated with remakes, reboots, and peoples constant complaints about these films, I don’t think there’s any better time to revisit one of the biggest mistakes in film history. Before the ⤇
Telekenetics have Carrie. Werewolves have Ginger Snaps. Now cannibals have Raw. Cannibalism in popular culture has a resurgence every decade or so. This dates all the way back to Robert Bloch’s Psycho, whose Norman Bates ⤇
Last week I bought one of those 50-packs of movies for $12.00 which you see in a lot of DVD stores on the bargain rack. You know, the kind that displays a really recognizable movie ⤇
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