
Underwater (2020)
If you can get past the fact that it’s an “Alien” ripoff that’ll never actually be “Alien,” you’ll probably find this year’s “Underwater” pretty watchable. ⤇
If you can get past the fact that it’s an “Alien” ripoff that’ll never actually be “Alien,” you’ll probably find this year’s “Underwater” pretty watchable. ⤇
From creepy, 1800s-era adaptations to big-budget “Halloween” sequels and another season of The Last Drive-In with Joe Bob Briggs, we’re checking the most exciting horror coming out this year. ⤇
The Grudge (2020) is a really solid, definitely unnecessary remake of a movie that wasn’t very good in the first place from a time not yet long enough ago for anyone to remember fondly. ⤇
Ari Aster’s Midsommar tells you exactly what it’s going to do throughout and still manages to lock you in a pleasantly surprising and mesmerizingly unbreakable stranglehold despite. ⤇
A24 wasn’t the only horror production house to drop a spicy new trailer on us today. Blumhouse also joined in on the fun, releasing the second trailer for its upcoming survival thriller The Hunt. ⤇
This morning, A24 released another banger of a trailer that, unsurprisingly, teases a movie promising to be pretty fucking batshit and amazing. ⤇
With The Father’s Shadow, Fantasia hit me with the first real slow-burner of the festival. The Brazilian export from writer/director Gabriela Amaral Almeida is a dark, conceptual horror film, with pitch-perfect performances and a lot to offer. ⤇
Well-shot and deeply personal to its creator, Sator is an arthouse film that the right person will absolutely love. ⤇
Hot off of the Warner Bros. Pictures YouTube channel comes the final trailer for IT Chapter Two, and—surprise, surprise—it looks fantastic. The concluding installment to this two-part classic is set to hit theaters on September 6. ⤇
Though Hideo Nakata is bringing back our titular antagonist more regularly and aggressively, it’s under far more confusing and convoluted circumstances. ⤇
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