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It’s not an exaggeration to say that everything about Why Don’t You Just Die! was well-imagined with even better execution and follow-through, from its darkly comedic script to its expertly choreographed action and blood-soaked effects. ⤇
On my fourth day of Cinepocalypse, I couldn’t help but wonder if this is where my luck would finally run out. Spoiler alert! Nope! It didn’t. My luck didn’t run out, and I loved Satanic Panic from toe to tip. ⤇
At midnight on Saturday, like some sort of young person, I found myself taking a seat at the Music Box Theatre for the North American premiere of Morocco’s very first creature feature, Achoura. ⤇
A Brazilian export from director Fabrício Bittar, Ghost Killers vs. Bloody Mary is an hour and forty-five minutes-worth of juvenile jokes, blood by the buckets, and really fun special effects. ⤇
while Cinepocalypse officially kicked off Thursday with what sounds like a perfectly imperfect movie, my Cinepocalypse kicked off last night with what I’m fairly certain is a perfectly perfect movie. That movie is called Villains. ⤇
Writer/director Josh Lobo’s debut, I Trapped the Devil, looked like it promised to be quite the slow-burner. And I can say for a fact that it delivered on that promise. ⤇
This year’s Pet Sematary addressed practically all of the pain points I felt with the original adaptation, manipulating them in every case necessary to better suit the screen. ⤇
Happy Death Day is definitely horror film. I found myself wondering, as I was watching this sequel, if it really was a horror film and where all of the horror aspects were. ⤇
I was nervous going into director Daniel Goldhaber’s Cam (2018)—a film that promises to concern itself almost exclusively with the Internet. And yet, it really managed to surprise me. ⤇
Remakes are tricky beasts. It’s a line I’ve been muttering over and over to myself every time I’ve sat down to review Luca Guadagnino’s Suspiria since seeing it opening weekend. ⤇
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