It’s not an exaggeration to say that everything about Why Don’t You Just Die! was well-imagined with even better execution and follow-through, from its darkly comedic script to its expertly choreographed action and blood-soaked effects. ⤇
On my fourth day of Cinepocalypse, I couldn’t help but wonder if this is where my luck would finally run out. Spoiler alert! Nope! It didn’t. My luck didn’t run out, and I loved Satanic Panic from toe to tip. ⤇
At midnight on Saturday, like some sort of young person, I found myself taking a seat at the Music Box Theatre for the North American premiere of Morocco’s very first creature feature, Achoura. ⤇
A Brazilian export from director Fabrício Bittar, Ghost Killers vs. Bloody Mary is an hour and forty-five minutes-worth of juvenile jokes, blood by the buckets, and really fun special effects. ⤇
while Cinepocalypse officially kicked off Thursday with what sounds like a perfectly imperfect movie, my Cinepocalypse kicked off last night with what I’m fairly certain is a perfectly perfect movie. That movie is called Villains. ⤇
The Cinepocalypse Film Festival is underway at the Music Box Theatre. Here are nine events that you should definitely join us for. ⤇
Here in the last few weeks of December, it’s time to reflect back on the best foreign horror films that colored the year. ⤇
Rounding out last week’s list of must-see Cinepocalypse screenings was Gonzalo Calzada’s Luciferina, and boy was I excited about it. The only available trailer for the Spanish language film doesn’t even have English subtitles, and ⤇
Chicago has been abustle with delightfully horror-themed activity since Cinepocalypse 2018 kicked off at the Music Box Theatre on Thursday evening with a screening of The Domestics. But I didn’t see that movie, and I’m ⤇
If it seems like it hasn’t been a full year since the debut of the Cinepocalypse film festival in Chicago, that’s because it hasn’t. Even with less than a year to prepare, the festival has ⤇
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