This review contains spoilers. I just finished watching The Cloverfield Paradox, and here’s the thing: it’s not great. We all know the story of the film’s dramatic release, we were all surprised, etc.—let’s skip that ⤇
Insidious ended like most modern aspiring horror franchises often do: teasing a sequel. So after the film’s successful box office run, it was no surprise that the same writer/director team of Leigh Whannell and James ⤇
I just finished watching Insidious for the first time since its opening night in 2011. This time around—sitting on my couch with my pup instead of in a mildly uncomfortable theater filled with raucous teens—I ⤇
Annabelle: Creation is a very good movie. And I’m not just saying that because—hot take alert—I’m part of the small group of enlightened, transcendent folk who thought Annabelle was also a fine movie. In fact, ⤇
Being what it is, you could easily say that Daniel Espinosa’s Life is derivative of Ridley Scott’s Alien, and you wouldn’t necessarily be wrong there. But I’d like to say that it plays more like ⤇
This is going to be a short one, pals, because I straight up loved this movie. Dearest Netflix, this is the ambitious, entertaining, ballsy content that I signed up for. Well done. From the opening ⤇
The Evil Dead is my favorite trilogy of all time. And not only within the scope of horror or even just compared to other trilogies. It’s the franchise as a whole that I love so ⤇
This review contains spoilers. In a few short months, one of my favorite horror franchises is turning 30 years old, and what an adventure these decades with Chucky have been. Don Mancini has faithfully penned ⤇
I was very excited to watch The Void. I closely followed the Kickstarter campaign, eagerly gobbling up each new trailer writer/director duo Steven Kostanski and Jeremy Gillespie released. Cults? Gore? Tantalizing, ‘80s–style, fully analog, bloody, ⤇
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