If you’re going to build a theme park, you have to include the hits. The newest doll on the shelf, Annabelle Comes Home, is, ultimately, like installing a Tilt-A-Whirl: it’s not overwhelming, kind of fun, and feels like it should be in the park. ⤇
Remember when you said “you know what I want? Another Conjuring prequel”? No? Yeah we don’t either. Steven welcomes Alisha back to the podcast as they sit down to take a look at 2018’s The Nun. ⤇
Though I’m not crazy about the idea of every popular franchise being explored in a “cinematic universe,” James Wan’s The Conjuring Universe has yet to let me down. Yes, I even enjoyed 2014’s widely despised Annabelle. The ⤇
No genre has changed as frequently and drastically as horror. It seems that each decade brings in a new trend. Things start with a great movie and go downhill from there. For better or worse that tends to be how ⤇
Insidious ended like most modern aspiring horror franchises often do: teasing a sequel. So after the film’s successful box office run, it was no surprise that the same writer/director team of Leigh Whannell and James ⤇
I just finished watching Insidious for the first time since its opening night in 2011. This time around—sitting on my couch with my pup instead of in a mildly uncomfortable theater filled with raucous teens—I ⤇
Yesterday brought us the first trailer and new title for the fourth installment of James Wan’s incredible Insidious series. Officially titled Insidious: The Last Key, the film, written by series co-creator Leigh Whannell, will continue to follow Lin ⤇
A director’s job is to tell a story. With time, good directors have a style that comes forth, and great directors can change the landscape of filmmaking. Some directors even become more recognizable than the ⤇
If you were to venture back in time one year and take a look at my most-anticipated horror films of 2016, you would probably notice that it looks an awful lot like the list below. ⤇
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