We talked with writer, director, and sound designer Graham Reznick about his philosophy around the importance of sound in film and about the making of the first season of Deadwax. ⤇
The Fantasia International Film Festival kicked off in Montreal earlier this month, and already, we here at Wolfbane Blooms have screened some new horror releases that have gotten us excited. One such film that caught ⤇
After Graham Skipper’s Sequence Break debuted at last year’s Chattanooga Film Festival, it immediately began garnering comparisons to David Cronenberg’s 1983 body-horror classic Videodrome. And the films are clearly relatable, with each playing on the ⤇
If you were to search for quotes about filmmaking, you’d find that most of them have been spoken by the oft-sung heroes of the art form—directors, actors, perhaps a few writers thrown in for flavor. But ⤇
There are only a handful of non-franchise horror films with the staying power of Dario Argento’s 1977 masterpiece, Suspiria. The film’s continuing popularity can be attributed to a number of things from the vibrant colors and unforgettable synth score to ⤇
After his debut feature Let Us Prey took the Méliès d’Argent for Best European Fantastic Feature Film at the Belgium International Film Festival, Irish filmmaker Brian O’Malley began to put his love of gothic horror ⤇
A few months ago we took a look at 5 of the best horror subscription boxes around and one clear standout on our list was Terror Treasures. The company, run by husband and wife horror junkies ⤇
The sea of horror merchandise is vast and can be a little tricky to navigate when you’re searching for that perfect piece. Luckily there are brands like Terror Threads working to become a one stop shop ⤇
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